HOFFMAN ON HOFFMAN
Ken Hoffman faces off with tough guy ESPN 97.5 host AJ Hoffman
Jun 18, 2018, 2:32 pm
This article originally appeared on CultureMap/Houston.
I like to track down a media personality for 10 Questions — things that regular listeners may not know about the person behind the voice or teleprompter.
With AJ Hoffman, the outspoken and often outrageous co-host of The Blitz with Fred Faour weekdays from 4-7 pm on ESPN 97.5 FM, it’s all there in hisTwitter bio:
“Sometimes I talk about sports on the radio. Sometimes I fight people in cages for money. Sometimes I drink beer. Sometimes I eat BBQ. Sometimes I do other stuff.”
So let’s dig a little deeper. First off, AJ stands for Arthur Joe — and no, we are not related.
Ken Hoffman: What would possess a somewhat rational human being to enter the octagon for an MMA fight? You're not exactly a desperate kid fighting his way out of the slums.
AJ Hoffman: I have always loved competing. I had watched the sport since I was in junior high. I was interviewing a fighter who was about to make his UFC debut, and his coach suggested I come out and train. The coach is this guy named Jorge 'Macaco' Patino, and he is a legit legend in old-school MMA. I felt like I would be a punk if I said no.
I started going out and figured it would at least be a fun way to work out. I didn't think I was ever going to actually fight, but I got to the point where I was as good as some of the fighters at the gym. I decided to give it a shot.
KH: What does it feel like to be punched really hard in the face?
AJH: It sucks. I had been punched in the face plenty of times in my life, but getting punched by a drunk guy on Sixth Street doesn't hurt as much as getting punched by a guy who punches people for money. If you get hit hard enough, especially in the nose, it is basically a given that your eyes are going to well up. Then you feel like the other guy thinks you are crying, and it pisses you off.
The toughest thing when you are actually trying to learn to be a fighter is not letting your emotions take over. All that said, I feel like everyone should get punched in the face at least once in their lives.
KH: You have been with ESPN 97.5 from its beginnings in last place to its reign at top of the ratings. How do you explain the station’s success?
AJH: I knew when I got here it was going to be a slow process. We have never had billboards. We have never been on the back of cabs. We are a legit grassroots station that has been built up by guys telling their friends about us and those guys telling their friends. Fred and I are the only guys left from when David Gow bought our station. We have added some really quality guys since then.
I honestly think we have the best lineup in the city now, and we should be at the top for a while. Another factor could be all the old people who listen to 790 AM and 610 AM are dying off at a rapid rate.
KH: Most people hate the sound of their own voice. Do you?
AJH: I don't really think about it. It used to bother me because when I was starting out, I listened to my show back every single day. I would pick apart little things about my pacing or using transition words like ‘um’ or ‘like.’ Now I have a comfort level. I just talk and if someone doesn't like my voice, it won't devastate me emotionally.
The only thing that annoys me is when people say they can't tell my voice from Fred's. Fred says dumb stuff all the time and I don't want to catch any of the blame for his nonsense.
KH: It's called "work" because it's work. I think your best talent is you make your job seem like fun. Is it fun or work for you?
AJH: It isn't hard work, but it is work. I sometimes wish I could go to bed early instead of watching the Astros play a late game at Oakland. I have had jobs that were real work, and I have a healthy appreciation for being able to make a good living while sitting in air conditioning.
I love this job, and don't take it for granted. We take our jobs seriously and put in real work where other people in this market sit down and just ‘have fun.’
KH: Your show is known for going off in wild directions on occasion. Do you plan a show or just let it happen?
AJH: We plan our show every day. However, Fred and I each plan a different show. We don't sit down together and map out what we are going to do like some sort of wacky morning show. I trust him to prep for everything that might come up, and he trusts me to do the same. We also are willing to audible at the line if a certain topic gains traction or is creating interesting conversation.
Sometimes people sit in the studio with us and assume that Fred and I must hate each other because we don't talk between segments. I just prefer everything to be organic. If I tell a joke during a commercial break, I am wasting an authentic laugh —or groan — and basically trading it for a fake one. So a lot of our stuff is off-the-cuff.
KH: If you didn't host a radio show, what would you be doing for a job?
AJH: I almost left radio a couple of years ago because I got recruited to be a deputy U.S. marshal. At the time, my favorite show on television was Justified, and I thought it would be really awesome to do that kind of work. Then I realized how much more work it would be, and how much of a pay cut I would have. I figured it was best to ride this radio thing out.
KH: Are you a fan of Houston teams? Does it matter?
AJH: I am not a normal sports fan. It could have something to do with me working in this business for 14 years, or it could be because I bet on sports. Either way, I don't have an emotional attachment to any teams. If a team loses, it only bothers me if I bet on them. If a team wins, it only excites me if I bet on them. I also don't root for ‘laundry.’ I loved the Rockets when I was a kid, because I loved Hakeem, Otis Thorpe, and Clyde Drexler. I even liked the Rockets when they had Yao and McGrady. Now, James Harden is their best player, and I don't enjoy watching him at all. I guess if I were a real ‘fan,’ I would adjust and start liking them, but I can't.
I catch grief sometimes for not ‘repping the city,’ but that isn't my job. My job is to give actual opinions on things, and sometimes that opinion isn't that a team is gonna win just because it’s from Houston.
KH: Who have you met because of your job that excited you the most?
AJH: That is a tough one. I got to meet Minka Kelly when I was in Austin and they were filming Friday Night Lights. She has always been my celebrity crush so that one was tough to control. Dave Chappelle was a pretty good one, too.
Oddly, I like experiences more than meeting celebrities. One time Joe Rogan couldn't host the weigh-ins and open workouts when the UFC was in Houston, and the UFC asked me to fill in for him. That was an unbelievably cool experience, and I couldn't control my excitement.
KH: Have you ever wanted to sucker shot a guest?
AJH: Once. We had a guy on the show who made a list of the most famous Hoffmans. He left me off the list, and put some real estate agent on it. He was a total ass.
KH: (I think he’s talking about me.)
Looming over baseball is a likely lockout in December 2026, a possible management push for a salary cap and perhaps lost regular-season games for the first time since 1995.
“No one’s talking about it, but we all know that they’re going to lock us out for it, and then we’re going to miss time,” New York Mets All-Star first baseman Pete Alonso said Monday at the All-Star Game. “We’re definitely going to fight to not have a salary cap and the league’s obviously not going to like that.”
Baseball Commissioner Rob Manfred and some owners have cited payroll disparity as a problem, while at the same time MLB is working to address a revenue decline from regional sports networks. Unlike the NFL, NBA and NHL, baseball has never had a salary cap because its players staunchly oppose one.
Despite higher levels of luxury tax that started in 2022, the World Series champion Los Angeles Dodgers and New York Mets have pushed payrolls to record levels. The last small-market MLB club to win a World Series was the Kansas City Royals in 2015.
After signing outfielder Juan Soto to a record $765 million contract, New York opened this season with an industry-high $326 million payroll, nearly five times Miami’s $69 million, according to Major League Baseball’s figures. Using luxury tax payrolls, based on average annual values that account for future commitments and include benefits, the Dodgers were first at $400 million and on track to owe a record luxury tax of about $151 million — shattering the previous tax record of $103 million set by Los Angeles last year.
“When I talk to the players, I don’t try to convince them that a salary cap system would be a good thing,” Manfred told the Baseball Writers’ Association of America on Tuesday. “I identify a problem in the media business and explain to them that owners need to change to address that problem. I then identify a second problem that we need to work together and that is that there are fans in a lot of our markets who feel like we have a competitive balance problem.”
Baseball’s collective bargaining agreement expires Dec. 1, 2026, and management lockouts have become the norm, which shifts the start of a stoppage to the offseason. During the last negotiations, the sides reached a five-year deal on March 10 after a 99-day lockout, salvaging a 162-game 2022 season.
“A cap is not about a partnership. A cap isn’t about growing the game,” union head Tony Clark said Tuesday. “A cap is about franchise values and profits. ... A salary cap historically has limited contract guarantees associated with it, literally pits one player against another and is often what we share with players as the definitive non-competitive system. It doesn’t reward excellence. It undermines it from an organizational standpoint. That’s why this is not about competitive balance. It’s not about a fair versus not. This is institutionalized collusion.”
The union’s opposition to a cap has paved the way for record-breaking salaries for star players. Soto’s deal is believed to be the richest in pro sports history, eclipsing Shohei Ohtani’s $700 million deal with the Dodgers signed a year earlier. By comparison, the biggest guaranteed contract in the NFL is $250 million for Buffalo Bills quarterback Josh Allen.
Manfred cites that 10% of players earn 72% of salaries.
“I never use the word `salary’ within one of `cap,’” he said. “What I do say to them is in addressing this competitive issue that’s real we should think about whether this system is the perfect system from a players’ perspective.”
A management salary cap proposal could contain a salary floor and a guaranteed percentage of revenue to players. Baseball players have endured nine work stoppages, including a 7 1/2-month strike in 1994-95 that fought off a cap proposal.
Agent Scott Boras likens a cap plan to attracting kids to a “gingerbread house.”
“We’ve heard it for 20 years. It’s almost like the childhood fable,” he said. “This very traditional, same approach is not something that would lead the younger players to the gingerbread house.”